The Woman 4K 2011 Ultra HD 2160p

Storyline
Raised by wolves, the vulnerable last survivor of a cannibalistic tribe bathes wounded in a river somewhere in the lush woods of North-east Coast, where she used to roam free. In the eyes of the misogynistic lawyer, Chris, the naked beast-like savage seems to be the perfect trophy for his home; however, is there a place for a feral, flesh-eating primitive among civilised people? In the following days--bent on domesticating the untamed female by breaking her will--the sadistic man will make the woman his project, as Chris' dysfunctional family struggles to keep the proud predator in captivity. Although, pretty soon, no restraints, no training--and, certainly, no male supremacy--will be no match for the raging woman's raw and merciless retaliation. Can they escape from the monster's fury?

User Review
Its funny that the first major notice this film got was because somebody stormed out of an early screening crying misogyny. Funny because The Woman in fact is a long way away from misogyny, in fact I'd almost be inclined to call it a feminist film. Its an account of an average American family going about their business, except for the fact that the father is a complete monster who one day brings home a feral woman from the woods, who he decides to educate. From the very start this is unusual stuff, with the titular woman hallucinating birth then slaughtering a wolf for food, and while not especially violent given its reputation some pretty heavy territory gets explored, domestic abuse, familial corruption and a visceral take on gender power conflict. The film is anchored in Sean Bridgers' performance as Chris Cleek, family man gone very, very wrong. He gives the character a constant menace, a smile, bright face and charming demeanour, a plastic outside so almost right, so not quite all there that it perfectly suggests his inner depravity, and in his depravity he is just as slick and even darkly humoured. The character is patriarchy at its most terrible extension, dedicated to control and dominance, assured of its utter superiority and quick to cruelty. It finds perfect match in the woman though, femininity in its most feral savagery. Pollyanna Mackintosh is wonderfully inhuman in the role, conveying sheer violent animalism through her body language and freakish guttural grunts and growling. The rest of the performances are strong stuff too, Angela Bettis as the meek wife of the piece, downtrodden to the point of barely having her own personality, Zach Rand as son Brian following in his fathers footsteps and Lauren Ashley Carter as daughter Peggy withdrawing into her own shell from the horror. Everyone gels well together, drawing the audience in so the punches hurt all the more. I won't go into too much of what occurs once the woman is imprisoned, but you can probably guess some of it, and the film does a great job in stirring up a sense of intense, boiling rage at the increasing dark events. The soundtrack is an important part of this, often using soft indie rock it works perfectly alongside the whitebread setting and in the way it underlines the travails of the children, but also makes a fine contrast to the nastier stuff. I must say there was almost nothing that I didn't care for in this one and it's by far the best US horror film I've seen in years. Lucky McKee directs with a sure hand, mixing jolting savagery with cruel, calculating drama and a few moments of affecting dreamlike melancholia, although the film does get somewhat melodramatic and the intense finale goes into feverish pulp territory slightly unsuited to the mostly just disturbing bulk of the film, things are always surely handled. Arguably the film could have rounded things out better, developing its themes into something more intellectually satisfying than simply bloody violence (though the bloody violence is pretty darned satisfying) but its a minor quibble really. 9/10, really great stuff.