Flesh for Frankenstein 4K 1973 Ultra HD 2160p

Storyline
In Serbia, middle-aged Baron Frankenstein lives with the Baroness Katrin, his wife/sister and their two teenage children, Monica and Erik. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, assisted by Otto, he builds a desirable female body, but needs a male who will be super-body and super-lover. He thinks he has found just the right brain to go with a body he's built, but he's made an error, taking the head of a asexual ascetic. Meanwhile, the Baroness has her lusts, and she fastens on Nicholas, farmhand boy and a friend of the dead lad. Can the Baron pull off his grand plan? He brings the two zombies together to mate. Meanwhile, Nicholas tries to free his dead friend. What about the Baron's children?

User Review
This is clearly the superior of the two films that Paul Morrissey filmed at Cinecitta studios (Rome) during the early 1970s. It's the typical Frankenstein story with the Morrissey's spin on it.

And I suspect that it has a lot to do with Antonio Margheriti being involved since he is famous in Italian horror circles for the gore effects he brings to films. Especially the scene where the male monster (Srdjan Zelenovic) rips open his stomach sutures, exposing his organs in an act of suicide. Very anatomically correct.

Udo Kier is probably the best reason to see this film, however. His hammy acting skills are tops! His version of Frankenstein is so demented, I guess the German accent adds a lot to it. Usually it's an American or English actor who plays Frankenstein so having a real life German (speaking in English, of course) adds to the atmosphere.

And of course Joe Dallesandro's New York accent sounds totally out of place here, just as it did in BLOOD FOR DRACULA. He sounds like a male hustler hanging out in Times Square instead of an Italian stable boy

Also hideous is Monique Van Vooren as Baroness. Good gawd, the Dallesandro character must have been real hard-up in order to sleep with that old hag.

Still, it has decent atmosphere and the Criterion DVD uses a widescreen print that looks crystal along with production stills of the movie, secondary commentary track by Morrissey who has some revealing comments about the film, and some silly, pseudo-intellectual commentary by Maurice Yakowar that a trashy film like this doesn't deserve.

Worth seeing mostly for Kier's presence.