Eddington 4K 2025 Ultra HD 2160p

Eddington 4K 2025 Ultra HD 2160p
BDRemux 4K 2160P
Сountry: USA, UK, Finland
Genre: Comedy , Drama
Cast: Joaquin Phoenix, Deirdre O'Connell, Emma Stone, Micheal Ward, Pedro Pascal, Cameron Mann, Matt Gomez Hidaka, Luke Grimes, Amélie Hoeferle, Clifton Collins Jr., William Belleau, Austin Butler, Landall Goolsby, Elise Falanga, King Orba, Rachel de la Torre, David Pinter, Keith Jardine.
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May 2020, the pandemic is gaining momentum in the United States. In quiet, provincial Eddington, where quarantine has been declared and masks are mandatory, a confrontation is brewing between Seville County Sheriff Joe Cross and Mayor Ted Garcia, who is planning to run for re-election and has a grand project in mind: the construction of a large-scale artificial intelligence data center. Unwilling to accept the powerful official's plans, Cross decides to challenge him and runs for mayor, unaware of the unpredictable consequences his decision will have.


User Review

The film is set in the small American town of Eddington, New Mexico, in the summer of 2020, at the height of the COVID-19 pandemic and the Black Lives Matter protests. Local sheriff Joe Cross (Joaquin Phoenix), skeptical of measures to combat the coronavirus, refuses to comply with the mask mandate imposed by Mayor Ted Garcia (Pedro Pascal). The conflict between Joe and Ted escalates after an incident at a grocery store. Joe decides to run for mayor, using social media to undermine Garcia's reputation and mobilize dissatisfied residents, but soon realizes that he is powerless to cope with the social unrest that has engulfed his once-peaceful town.

The situation at Joe's house is no less tense than on the dusty streets of the city. His wife Louise (Emma Stone) suffers from an unnamed mental disorder, is withdrawn and does not like to be touched, and in moments of stress speaks about herself in the third person. She spends her days creating creepy surreal dolls in her dimly lit bedroom, while her mother Dawn (Deirdre O'Connell), obsessed with conspiracy theories, only adds fuel to the fire, turning the house into a hotbed of paranoia.

At the same time, a wave of Black Lives Matter protests sweeps through the city, initiated by a small group of progressive white teenagers who are both aware of and theatrically demonstrate their racial privilege, provoking irony and irritation in the viewer.

Just when it seems that Aster has created his most banal film, the director unexpectedly turns Eddington upside down. The election race takes a back seat as events in the city spiral out of control. Internet horror stories become reality, escalating into deadly clashes. Joe and his team are forced to do real police work, but as a man caught in the eye of the storm, the sheriff watches the unfolding disaster, powerless to do anything. Like fireworks thrown at a gas station, his increasingly irrational behavior seems doomed to violence, and it is clear that the director has no intention of softening the blows.

Aster constructs the film in the spirit of a neo-western: deserted streets, duels of glances, conflicts for power in a small community. However, instead of weapons, smartphones are used, pointed at each other to capture humiliating and compromising moments. Gradually, the atmosphere of the western transforms into a mad farce. By the end, the film turns into a bloody mess, a feast of absurdity and violence.
Aster uses the atmosphere of the first months of COVID-19 as a backdrop to explore how fear, isolation, and information chaos destroy society. The film depicts all the hallmarks of 2020: debates about masks, social distancing, Zoom meetings, angry rants on social media, street riots, and outbreaks of conspiracy theories. The director easily draws the viewer into the collective madness and mania experienced by his characters, immersing them in an atmosphere of hopelessness where anything can happen.

The director does not offer catharsis. He makes a diagnosis — a kind of chronic social psychosis for which there is no vaccine or protection, and keeping your distance only exacerbates the situation. The satire is aimed at both conservatives and progressive activists, demonstrating that both sides are equally annoying and immersed in their own illusions, and that radicalism and conspiracy obsession are mirror images of each other.

Eddington is a brutal and frighteningly relevant portrait of America in the pandemic era, where the personal and the political are intertwined in a toxic cocktail of fears, ambitions, and digital illusions. Aster creates a modern western in which, instead of duels at sunset, there are battles for information superiority, and instead of winners, there are only exhausted, disunited, and insane survivors.


Info Video

Codec: HEVC / H.265 (67.7 Mb/s)
Resolution: Native 4K (2160p)
HDR: Dolby Vision, HDR10+
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1


Info Audio

#English: Dolby TrueHD with Dolby Atmos 7.1 (48kHz, 24-bit)
#English: Dolby Digital Plus with Dolby Atmos 5.1


Info Subtitles

English SDH, Danish, Finnish, Norwegian, Spanish (Latin American), Swedish.

File size: 74.03 GB

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