The Housemaid 4K 2025 Ultra HD 2160p

A young woman gets a job as a maid for a wealthy couple. Gradually, the shocking secrets of all the characters come to light.

User Review

Millie's life is no picnic—she lives in her car, scrapes by with odd jobs, and is completely miserable. When she accidentally lands a job as a maid in the home of the wealthy Winchesters—the eccentric Nina and her charming husband Andrew—it seems like paradise. But there's no such thing as a free lunch...

The Maid can safely be called a feminist thriller – although the owner of the house and his daughter are important characters in the story, it is Sidney Sweeney and Amanda Seyfried who grace the poster: Girl Power in action! They are from slightly different generations (Sweeney is 28 and Sifred is 40), but their career trajectories are similar—debuting at a young age in silly comedies and horror films (Sweeney in Shaun of the Dead and The Ward, Sifred – Mean Girls and Solstice), then a rapid rise to success (Sweeney – The Handmaid's Tale, Euphoria, and The White Lotus; for Sifred, Mamma Mia, a string of successful thrillers and rom-coms, and even an Oscar nomination for Monka). So different, on the poster for The Maid they look like sisters—long-haired, self-sufficient, strong. True, Sifred's palette of images (like her filmography) is richer—she is really very different in different films, while Sweeney has become a meme with a tired, sarcastic expression on her face (even on the poster she has that same sour expression). It is more interesting to watch their interaction on screen, because their characters are complex and multi-layered.

The film (an adaptation of Frida McPhadden's best-selling novel) starts with a standard plot device: a simple “girl from the streets” finds herself in a rich, polished, almost doll-like house. Such a premise could be the basis for a sitcom (My Fair Nanny!) or a romantic melodrama (a love triangle is just begging to be included in the plot). But we know that we are watching a thriller, so very quickly “the owls will turn out to be not what they seem.” The clever maid with glasses lied through her teeth on her resume and hid the dark facts of her biography in order to get the job, while the smiling hostess Nina, so friendly and open, starts acting like a complete hysterical from almost the first day — breaking dishes, throwing tantrums, betting that she will fire Millie for the first offense. Nina's perfect and calm husband Andrew, who is as steady as a rock, helps her keep her job. He comforts his wife, cheers up the maid, and flashes his charming millionaire smile. Oh yes, there is also the gloomy seven-year-old daughter of the Winchesters with Wednesday vibes and Andrew's strict mother played by Elizabeth Perkins (it's almost impossible to recognize her as Tom Hanks' adult girlfriend in the classic 1988 film “Big”).

Any good thriller or detective story is a mathematical problem in which you have to find the “x” — for example, who is the killer, what are the characters' motives, what is the terrible secret. We learn almost immediately that something is wrong in the Winchester household—some things are obvious (like Nina's hysterics), some things are disturbing (the girl's heavy-lidded gaze and her games with the dollhouse), and someone is clearly hiding something (the maniacal-looking gardener). Uncovering these secrets one by one is a real pleasure, but in “The Maid,” the answer is simply dumped on the audience as a given—a hefty chunk of flashback. On the one hand, this deprives the viewer of the privilege of figuring everything out for themselves. On the other hand, the solution is so mind-blowing and reinterprets all the events that have taken place that you sit there with your jaw dropped, overlooking the obvious script blunders and the poorly stitched-together ending. For this sharp change in tone, the “skeletons in the closet” and the masks that have been dropped, you forgive the film its logical inconsistencies and sudden change of focus (at first we “see” what is happening through Millie's eyes, and then abruptly switch to another character).

The film should be recognized as a success, especially since a sequel has already been announced, which will be much more difficult to come up with a twisted story for without a literary basis. The main role in this success is played not by Sidney Sweeney, whose acting talent has not yet been fully revealed, but by the experienced Amanda Seyfried, who is organic in the role of an exemplary wife, a flighty hysteric, and a loving mother. It is difficult for the male actors to stand out against her backdrop, but believe me, The Maid is capable of surprising you. Also, if you are bothered by bloody scenes and films like Saw, you may feel very uncomfortable at the end—especially since you have been lulled for an hour and a half by images of a completely different genre (from comedy of manners to erotica). So the unknown “X” found at the end of the story is not a cross on the film, but a possible promise of a long-running franchise. Because watching interesting movies is a privilege!

Info Video

Codec: HEVC / H.265 (80.9 Mb/s)
Resolution: Native 4K (2160p)
HDR: Dolby Vision, HDR10+
Original aspect ratio: 2.39:1

Info Audio

#English: Dolby TrueHD with Dolby Atmos 7.1
#English: Dolby Digital Plus with Dolby Atmos 5.1
#Spanish (Latino): Dolby Digital 5.1
#French: Dolby Digital 5.1

Info Subtitles