Good Luck, Have Fun, Don't Die 4K 2025 Ultra HD 2160p

The story follows a man from the future who must stop an artificial intelligence from destroying Earth. He is forced to enlist the help of the patrons at a diner in Los Angeles, where he has landed.

User Review

A madman dressed in the latest “pret-a-homeless” fashion bursts into a café and tries to recruit volunteers for a war against an AI that has rebelled in the future...

How can I describe this movie? A homeless Terminator with Jack Sparrow’s mannerisms relives Groundhog Day 118 times. Does that make sense? It doesn’t. It doesn’t matter. Through AI, Verbinski tells us about the dangers of AI. It’s long, boring in parts, sometimes funny, and in the end, you’re supposed to be scared.

Rockwell is unbeatable at the beginning of the film—dressed with provocative luxury, expressive, uninhibited, insane, and his beard, with the remains of french fries and hamburgers stuck in it (time travel requires a lot of carbs), haunts me in erotic dreams...

Rockwell and his companions try to fight one number with another—need I say what the result will be? The final twist suggests that the hero has found a bug, an asymmetric response, a counterattack capable of destroying the system. Watch closely.

It seems to me that the director misplaced the emphasis. AI is not subjective; it is merely a tool. AI is not to blame for the fact that people fill their emotional void by scrolling through social media; the number is an instrument, a prosthesis—it merely amplifies our vices, laziness, and lack of meaning (that chilling scene in the school overflowing with zombie-like children—I see it every time I pick up my son from school, kids lying around with phones in their hands—and who gave them those phones? AI?) to the point of absurdity. It is humans who choose the direction of the blow. A person for whom possessing AI opens up amazing possibilities—from medicine and disaster response to solving economic problems and preventing wars. The creators of AI view it as a digital club and use it to consolidate power and control. That’s what we need to talk about, dear Gor! We need to criticize the crisis of the spirit, not a cat peeing rainbows. Michael Peña won’t let you lie—it’s all God’s dew!

Despite the fact that the film suffers from script “obesity”—over two hours of screen time, gasping for breath toward the end, and a genre mishmash—it’s good alarmist cinema: AI is beating us!

The question is, does humanity—which has voluntarily, without a fight, surrendered itself to its smartphones—deserve to be saved?

Answer honestly, with your hand on your heart.

Info Video

Codec: HEVC / H.265 (80.2 Mb/s)
Resolution: Native 4K (2160p)
HDR: Dolby Vision, HDR10+
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1

Info Audio

#English: Dolby TrueHD with Dolby Atmos 7.1 (48kHz, 24-bit)
#English: Dolby Digital Plus with Dolby Atmos 5.1

Info Subtitles